Your Say

Canadian Broadcasting Corporation (CBC)
Arts and Entertainment – used FORscene in over 40 productions

“The Canadian Broadcast Corporation (CBC) has embraced FORscene as its official review system for all of its Arts and Entertainment, including Factual productions. FORscene allows senior management and decision-makers access to review dailies, cuts and final versions, as well as the independent production companies. CBC now requires all A&E independent productions to use FORscene. It allows CBC management and business staff the authorized access and convenience of reviewing dailies from any location across Canada - at any time in a virtual review room.”


Fremantle
Zach Jarosz, Executive Director, Post Production

“For America’s Got Talent Series 3, we wanted to allow our producers and production team world wide access to rushes and rough cuts as soon as they were ready. FORscene delivers this in a simple and efficient way. I enjoy using FORscene and am looking forward to rolling it out across my upcoming productions.“

(Fremantle Media is owned by the RTL Group, Europe’s largest television and radio broadcast company. Fremantle North America produces some of America’s most popular television programs including American Idol and America’s Got Talent. )


Ogilvy’s New Digital Hub and Post-Production Facility
Adam Bennett, Production Manager at Redworks Broadcast

"At Ogilvy we're always looking for new options to improve content delivery to our clients. FORscene is well suited to the highly pressured environment where I work, helping quality control in the end product."


Broadcast Interactive Media (BIM)
Timur Yarnall, CEO

"The BIMVID service uses a web-based workflow, linking together FORscene and our other independent suppliers to create a best-in-class Video Content Management System (VCMS) offering. Both station personnel and our in-house editors have picked up FORscene very quickly. BIMVID is providing both flexible and reliable and I'm delighted with the end results."


Breathe Post Production
Rob Kelly, Managing Director

"We have been looking for some time for a secure, cost effective, flexible solution to allow our clients to review and edit footage remotely via a web based interface. FORscene provides the answer.”


Ryerson University
Don Snyder - Chair of School of Image Arts – Film, New Media and Photography

“FORscene is state-of-the-art and its unique, web-based off-line editing package provides a new level of access and convenience for film students and for faculty. The students were very enthusiastic about using the software and took to it like ducks to water. Faculty also found it incredibly useful as a class collaborative tool.”


Ryerson University
James Warrack, Coordinator of Film Studies

“Potentially this software opens a new horizon for collaboration in the development of various media and art forms.”


Ryerson University
Lila Pine, New Media Faculty

“I immediately saw the benefits of using FORscene for the Social Sciences and Humanities Research Council of Canada funded New Media Documentary project that I am working on.”


Christian Growth Solutions Inc.
Bob Adams, President

“FORscene is the way of the future for outreach and communication in mainstream churches,” says Bob Adams, president of Christian Growth Solutions Inc, a technology service provider to churches based in Toronto, Canada. “It allows us to do things we couldn’t do before.”



Society of Broadcast Engineers Expo (SBEE) – New York

“We are filming on-site then uploading, logging, editing, reviewing, repurposing and distributing the video productions to the SBE channel on You Tube,” says Steve Keeler. “We can do this all in one day – on-site – because it’s now possible to do frame accurate and time-code accurate editing in a virtual editing room over the internet with FORscene. It’s incredible.”



Cayuga Community College (SUNY)
Steve Keeler - Chairperson, English/Humanities/Communications Division
Director, Telecommunications/Electronic Media Programs/WDWN-FM

“With FORscene we were able to continue our logging, editing, collaboration and review over the internet without having to stop production during the worst weather conditions in the last 100 years. The students are still in awe that they can edit anywhere—anytime—with FORscene, as long as they have access to a web browser.

“What sets the FORscene platform apart is not only its frame-accurate editing, but its multimedia platform. After we’ve completed a trailer we can send it to iPods or cell phones, or publish it to the web with a click of a button.”


SUNY Learning Network (State University of New York Learning Network)
Alexandra Pickett, Associate Director 

“The SUNY Learning Network uses FORscene to quickly and easily develop in-house produced video for our work with SUNY faculty and instructional designers.”


University of Guelph
Rich Couto, Courseware Architect

The goal to adopt FORscene focused on giving students the ability “to gain better background on the visual and dynamic aspects of anesthesia that are rarely well grasped as described on paper” and in this way they would be “better prepared to gain the most from laboratories and case management.”



Cayuga Community College (SUNY)
Steve Keeler - Chairperson, English/Humanities/Communications Division
Director, Telecommunications/Electronic Media Programs/WDWN-FM

“This On-line Video Production course was virtually impossible to do on-line until the advent of FORscene,” said Steve Keeler. “We can now walk students through the entire process of editing from shooting, uploading, logging, reviewing, collaboration, assembly editing and into modern video publishing to a cross-platform on the web, ipod or mobile. This is a dream come true for the instruction of video production. Without FORscene we could never instruct students in the techniques of professional video production via distance learning.”








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